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The Craft of Art

Saturday, September 7th, 2019: Arts, Musings.

I spent my childhood and youth mastering classical figurative drawing and painting, and as a young adult, I created large-scale figurative paintings and polyptichs from imagination, relying on my academic mastery of human anatomy and three-dimensional rendering. But after that, I turned my back on painting, realism, and major art projects, and for the past 37 years, I’d turned out hundreds and hundreds of spontaneous, simplistic, abstracted drawings on paper, most of which took me on average a half hour to complete.

In recent years, admiring classical works in museums, and reflecting on my earlier efforts, I began to crave a bigger challenge, to carry forward the progress I’d made as a young artist. When I made the change from polyptich paintings to drawings 37 years ago, I had consciously conceived my drawings as components of larger installations, and the new work would extend that idea. My most ambitious visual art project ever was conceived in March 2018 and begun in February 2019. Six months later, after many interruptions, I’ve finished planning, drawing, and preparing the surfaces, and am ready to start transferring my drawings to them.

The prep work, which has taken 23 days – again, with many interruptions – reminds me of when I was an art student at the University of Chicago’s Midway Studios, laboriously preparing stone slabs for lithography. Both processes are essentially medieval.

This project is intended to be a prototype for a future series of works, likely to be executed in oil paint on wood. Unlike in art school or in the Middle Ages, I haven’t had anyone to show me how to do things – I’ve done a lot of online research but have had to rely mostly on trial and error to find the best methods. I haven’t had access to a proper studio or a workshop for the prep work, which has made the process extra difficult and time-consuming, as I’ve had to constantly move the art panels, supplies, and tools in and out of my house, through the kitchen, from the porch where I did the “messy” work to my music studio which is being used as a drawing, drying, and storage area.

Here are views of the some of the stages in the process.

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